Music has been an integral part of my life for as long as I can remember. High school was a breeze because of top40 hits. Then as I got older, my taste became, shall I say it, more refined. I survived all-nighters in college with my eyes on the computer and Rage Against the Machine blaring on my ear. In my college thesis, I almost included Radiohead, Nirvana and Silverchair on the acknowledgement page as they helped me get thru tons of research and re-writes.
And then I discovered jrock and as they say, my life has never been the same.
It all began with a mixtape.
My younger brother brought home a compilation of anime theme songs given to him by a classmate. I’m a big fan of anime so he lent it to me. To be honest, I’ve never bothered with the theme songs before as I’m guilty of skipping the opening credits. But lo and behold, amidst the confetti of jpop fluff I discovered gems. That mixtape introduced me to the music of Siam Shade, Asian Kung-fu Generation, and of course, to the 1 of only 2 bands I would ever admit of being a fangirl, L’Arc~en~Ciel (in case you’re wondering, D’espairsRay is the other one but we’ll get to that later).
I owe it to that mixtape for introducing me to jrock. But what really immersed me hook, line, down to the damning sinker is the online forum Ongaku Society. Becoming a novice fan of jrock when one is tens of thousands kilometers away from Japan is tough, especially when my friends give me a blank stare every time I gush about a new song I discovered. Just imagine then my joy upon finding out that there is a site dedicated to Filipino fans of Japanese music. In the presence of peers, my fascination for jrock became a full-blown commitment.
Sadly, Ongaku Society is no more. The site was down for the longest time only to resurface without its most vital component: the forums. My memories though of the time spent lurking on the site remain intact to this day. For the longest time, Ongaku Society has become my one and only resource for jrock. It sated my appetite for all things L’Arc~en~Ciel and introduced me to the likes of Alice Nine, the GazettE and most importantly, D’espairsRay. I remember that visits to the Alice Nine and the GazettE threads were always a source of pure amusement to me. The said threads were always updated with the latest pictures and adorned with comments like “<insert band member’s name here> – sama!!!” I also owe it to those threads for expanding my vocabulary to include “ikemen” and “smexy”. Good times indeed.
I never stood a chance. Jrock-related stuff is actually part of my budget now. I made my first purchase in 2007: HYDE’s first and last album as a solo artist: Roetngen and Faith. I bought it off Amazon US as the American version of both albums were much cheaper. Then I learned about the wonders of Oricon and so I opted to buy my stuff on YesAsia and later on, CDJapan.
There’s only one thing left really, and I’m fervently anticipating the day I get to complete the full jrock experience: to watch at least one of my favorite bands live. I’ve said it before and I’ll say it again. I find it quite ironic that despite the Philippines and Japan being on the same continent, performances by Japanese acts are close to nil in my country. And for some reason, every time these bands embark on the a “world” tour, Asian countries are left out. Nevertheless, I’ll have my chance soon and I’ll be sure to faithfully document it here on SOLILOQUY.
So that’s just about it, my history as a jrock fan. If you have wandered into this site and have read up to this point, chances are we share the same affliction. The question now is, how did yours started?
(note: post title is courtesy of girugamesh from the album NOW)